Miley Cyrus, never one to mince words, decided to resurrect two of her most cinematically obscure roles, So Undercover(2012) and LOL (2012), in a rambling, high-camp monologue at the iconic Chateau Marmont. And in true Miley fashion, she didn’t just mention the movies. She buried them, exhumed them, and then reburied them in a glittery grave marked “Straight to DVD, darling.”
During an off-the-cuff chat that can only be described as Hollywood séance meets PR suicide, Miley looked back on her lesser-known film work with all the affection of a woman recalling an ex who still lives in his mom’s basement.
“Oh, we don’t talk about that one. It’s kind of major,” she cooed about So Undercover, before admitting, “I think I watched it once. And then it went straight to DVD, I’m pretty sure. I don’t even know how to find it.”
Honestly? Same, Miley.
Miley vs. Tubi: A Star Is Petty
If you’re wondering where this is going, buckle up. Because then came Tubi-gate, a shady, couture-level takedown of the free streaming service that had everyone at the Marmont howling into their Dior.
“Where do I even find some of these? I’m not on fucking Tubi,” she snapped, before scanning the room like a reality TV villain at a reunion special. “Tubi, is anyone here from Tubi?”
At this point, you could feel the ghosts of every media intern in the room try not to make eye contact.
“I feel like it’s like a media cemetery… but I didn’t say that.”
Oh, but she did. And she said it in designer heels while sipping something undoubtedly more expensive than your rent. This wasn’t just a roast. It was a glamorous execution of her early 2010s resume and of Tubi itself, which she likened to “a very subcultured Lindsay Lohan documentary” streaming exclusively on the app that “came free with my TV.”
She did attempt a very on-brand, half-hearted recovery
“Tubi’s great. Mom’s got her show on Tubi. Okay, Tubi’s great.”
But at that point, the damage was done. Any hope of a future LOL 2: Still Laughing Tubi Original? Obliterated.
Miley, Movies, and the Art of Self-Drag
LOL and So Undercover were both victims of the 2010s’ cultural amnesia, released at a time when Hollywood was still trying to figure out what to do with post-Hannah Montana Miley. Neither project made a dent commercially or critically. LOL, a remake of a French teen drama, was quietly dropped into limited release before being unceremoniously dumped onto DVD. So Undercover followed suit, a Disney Channel fever dream pretending to be a spy movie, complete with sorority clichés and zero box office traction.
Now, over a decade later, Miley’s treatment of the films is nothing short of savage. She framed them like vintage Dolce & Gabbana pieces no one wants to claim technically hers, but please don’t bring them up in public.
“You guys probably have seen So Undercover way more than I have.”
A bit rich coming from the woman starring in it, but who’s counting?
The Chanel vs. Tubi Binary
By the time Cyrus landed her final blow, “We’re a little bit more Chanel than Tubi anyway,” the room had already been scorched. The message was clear: Miley’s brand may have flirted with flop cinema in her youth, but she’s now operating on a completely different frequency—and that frequency is dripping in designer and disdain.
It was a performance only Miley could deliver: part confession, part comedy, and completely unbothered. A crash course in how to publicly disassociate from your IMDb while wearing couture.
Miley’s Film Career, Rebranded as Camp
Miley’s Chateau Marmont commentary didn’t just shade Tubi it clarified her new era. She’s no longer the girl from The Last Song crying over a beach boy. She’s the woman in a slick Chanel suit reading her own filmography like a burn book and making us thank her for it.
Tubi may be for the people, but Miley? She’s for the legends.
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